Interview: filmmaker Lisa Stock

When it was announced a few years ago that Joss Whedon would be doing the new Wonder Woman movie, I was of the unpopular opinion that he was dead wrong for it. My main reason was that, in all the shows he's produced and scripts he's written, he has yet to show he can write about anything other than Read more

The grubby heirs of Excalibur: swords in the world of Eddie LaCrosse

My friend Teresa Frohock, author of Miserere: An Autumn Tale (my review is here), asked me how the idea for naming Eddie LaCrosse’s swords came about. I thought this might be interesting to others as well. First came the idea of writing the initial novel, The Sword-Edged Blonde, as if it were a 40s detective novel. This was after years--well, Read more

Writer's Day #9: C2E2 report

  In my latest Writer's Day video, I share some of my experiences at C2E2 in Chicago, by far the biggest convention I've ever Read more

The Hum and the Shiver eBook sale!

As the release day for the second Tufa novel, Wisp of a Thing, approaches, you can now get the eBook of the first, The Hum and the Shiver, for only $2.99.  It's a limited-time offer, so hurry before supplies...oh, wait, it's an eBook, they've got plenty.  But the sale ends June 7, 2013! Click here to order from Amazon for Read more

Guest blog: Dale Short on his film Recovering Racist

I was honored to be the first contributor to this documentary Kickstarter project, and rather than attempt to convince you myself, I asked acclaimed author Dale Short, one of the people behind the film, to explain where the idea came from and how important it is.  And please check out the video trailer at the end of his article Read more

The apocryphal soundtracks to some of my books

Posted on by Alex in Blood Groove, Burn Me Deadly, Firefly Witch, Memphis, music, novel, pirates, Uncategorized, Wake of the Bloody Angel, writing | Leave a comment

It’s no secret that music is a big part of many of my novels, from inspiring the titles to influencing the plots to being part of the story itself. I’m not alone in this, I’m sure. Recently my friends at Facebook’s Heroic Fiction League, Nathan Long and John R. Fultz, posted “playlists” of YouTube videos, songs that either their heroes would like, or that captured the mood of their books.

My playlist is a little different.  This is the music I wish would play when a reader first opens some of my books.

For my most recent novel, the Eddie LaCrosse pirate tale Wake of the Bloody Angel, I’d love it if readers were blasted with this upon cracking the covers:

 

 

For another Eddie LaCrosse tale, Burn Me Deadly, if you consider chapter one as a “teaser,” this would the perfect music to play between chapters one and two:

 

 

For Blood Groove, my tale of an Old World vampire unleashed in the Seventies, I’d begin with this under chapter one:

 

 

Then, at the moment you finished chapter one:

 

 

And finally, the theme for my Firefly Witch e-book chapbooks, the tune the main characters Ry and Tanna would call “their song” and that, in a perfect world, would play whenever you called it up on your e-reader of choice:

 

 

(I know, it’s the Atlanta Rhythm Section version and not the original Classics IV, but technically this is the first version I ever heard, and about half the Atlanta Rhythm Section was made up of former members of the Classics IV, so it’s not as heretical as it might seem.)

Any suggestions for some of my other books?

 

Announcing Time of the Season

Posted on by Alex in anthology, Blood Groove, cover art, eBook sale, fantasy literature, Firefly Witch, folk music, Free Download, Hum and the Shiver, music, Pagan, short stories, tennessee, Tufa, witchcraft | 2 Comments

So this year I’m trying something new: through the good folks at Story Vault, I’m releasing a three-story ebook chapbook for the holidays.

It includes:

“Cold Wind,” a Tufa story that updates us on Bronwyn and Craig from The Hum and the Shiver.

“A Ghost, and a Chance,” in which Sir Francis Colby from Blood Groove crosses paths with the most famous Christmas ghosts of all.

“Time of the Season,” a New Year’s story about a very special visitor to the home of Firefly Witch Tanna Tully.

There’s also a special gift: a free download of the song “Cold Wind” by Andrew Brasfield.

I’ll let you know when it’s available, but in the meantime, here’s the cover:

Ain’t No Cure: vampirism as disease

Posted on by Alex in Blood Groove, Dracula, Girls with Games of Blood, True Blood, vampires, writers, writing | 1 Comment

(October, the month of Halloween, conjures one name in our household: Dracula! This is the third of a series of posts on various aspects of Dracula and vampires in general. I’ll be giving away a two-pack of my own vampire novels Blood Groove and The Girls with Games of Blood to one lucky commenter per post, so comment early, comment often!)

Richard Matheson, among many other cool things in his career, popularized the idea of a scientific explanation for vampirism in his novel I am Legend. His vampires are the result of a pandemic whose symptoms mirror the classic vampire tropes. That paved the way for this entire subgenre, including comics (Marvel’s Blade, as well as Morbius, the Living Vampire), movies (Korea’s Thirst), and even recent fiction (The Passage and The Strain).

Originally, the idea of blood hunger as a disease had its simplest parallel with diabetes, with blood standing in for insulin. As long as the sufferer “took his medicine,” so to speak, he was safe. For the most part, diabetes is invisible as well, so that the vampire suffering from a “disease” didn’t look any different, either: fangs were minimized, and vampires changed from being aristocrats and noblemen to everyday characters. This removed any sort of moral level and made him just another unfortunate. Eventually stories appeared in which vampires made do with animal blood or blood substitutes (as in True Blood), making the parallel complete.

With the onset of AIDS, a blood-borne disease that came with the social stigma diabetes lacked, vampire stories adapted as well. Suddenly the idea that the very thing that allowed their existence could also cause their demise became the trope of the moment. Even Stephen King worked a twist on it, as his Dark Tower vampires were AIDS carriers. Further, the very real experiences of sufferers were co-opted into vampire fiction, so that vampires became victims not just of biology, but of society as well. Just as AIDS sufferers were shunned and accused of “asking for it,” vampires were depicted as victims who often deliberately sought their condition. And the fear of AIDS dovetailed nicely with the fear of vampires: both could hide in plain sight, and lured you with the possibility of sex. (I’m deliberately not talking about sexuality and AIDS victims in terms of vampire fiction, because that’s a whole other issue.)

And now, with the possibility of biological weapons (what used to be called “germ warfare,” back when Matheson wrote I am Legend), we get tales of mutated viruses that spread like wildfire and create vampire-like symptoms and behaviors.

So where does that leave the vampire?

The classic vampires–Dracula, Carmilla, Lord Ruthven–were unapologetic monsters. They needed no origins, no sympathy, because they embraced their natures. They did not contract a disease, they willingly gave up their souls for the vampiric existence. Only later, when the idea of sympathetic vampire arose with Dark Shadows and Anne Rice, did it become really necessary to find a way to have vampirism not be the vampire’s fault. And what better way than to make it the result of simple biology, rather than a pact with eternal evil?

The problem with this, as with all “explanations” for vampires, is that as soon as they’re explained, they become small and simple. In a way, the idea of a biological explanation for vampires is horror fiction’s parallel to midichlorians: it explains something that needs no explanation, and in the process, utterly destroys its grandeur.

The best of Dracula

Posted on by Alex in Blood Groove, Christopher Lee, Dracula, movies, Uncategorized | 13 Comments

The Halloween season here means one thing, one name: Dracula. It’s time for my annual re-read of the novel, and to break out the Dracula DVDs. Because I love them all: Schreck, Lugosi, Lee, Langella, Jourdan, Palance, Kinski, Butler, even misfires like Oldman. So I thought it would be fun to pick my favorites specific aspects of Dracula cinema. For the sake of structure, I’m limiting this list to movies that adapt, however loosely, Stoker’s actual novel (which rules out Dracula’s Daughter, one of my favorites, as well as Love at First Bite). 

Leave a comment for a chance to win a signed copy of one of my own contribution to the vampire genre, Blood Groove. Contest runs through midnight Halloween night.

Dracula crumbles to dust.

FAVORITE DRACULA DEATH: That goes to 1958′s Horror of Dracula. Peter Cushing’s Van Helsing drives Christopher Lee into a beam of sunlight, where he crumbles to dust before our eyes. The effects are crude and done mainly with editing, but somehow that doesn’t matter because the images themselves are so strong, and the actors perform with such gusto.

 

 

 

 

Transylvania, Herzog style.

FAVORITE VERSION OF TRANSYLVANIA: The one in Werner Herzog’s 1979 version of Nosferatu. He shot on location as close to Transylvania as you could get in the Coucescu era, and used real Gypsies for the inn scene. The scenery is gorgeous, the people look authentic, and you feel like you’re in another country, one that’s primal and connected with things the rest of the world has forgotten.

 

 

 

 

The soundtrack album featuring John Williams' score.

FAVORITE SCORE FOR A DRACULA FILM: This is the second-toughest choice, because there are three strong contenders. Popul Vuh’s score for Herzog’s Nosferatu is a kind of anti-horror score: all mood and atmosphere, with no bombast at all. John Williams scored Frank Langella’s Dracula back when he was still young and hungry, so it has sweep, punch and a catchy central motif. Finally, there’s Wojciech Kilar’s score for Coppola’s Bram Stoker’s Dracula, which is all foreboding, pulsing orchestral percussion. I suppose if I had to pick only one to listen to, it would have be the Williams score. It’s the only one permanently on my iPod.

 

 

 

 

 

 

The brides hanker for some Harker.

FAVORITE BRIDES OF DRACULA: The three lovely minxes in the 1974 Dan Curtis/Jack Palance TV version. Jonathan Harker has snuck into the Count’s cavernous private study; he looks away, then looks back and boom, there they are, standing still and silent, watching from the far side of the room. When they finally lunge for him, the use of a wide-angle lens makes them seem to cover the distance with unnatural speed, and their hissing, snarling mouths are in total contrast to their previous impassive silence. The only movie where I’ve actually found the brides scary.

 

 

 

The happiest guy in Transylvania.

FAVORITE RENFIELD: In this case, the first is the best. Dwight Frye’s grinning, over-the-top madman in the 1931 Bela Lugosi film is the gold standard against which all other Renfields are measured. All you have to do is imitate his laugh and everyone knows exactly who you mean. Arte Johnson mimicked it perfectly in Love at First Bite.

 

 

 

You don't want to cross him.

FAVORITE VAN HELSING: Peter Cushing, hands down. The definitive vampire hunter, starting in Horror of Dracula and going through to The Satanic Rites of Dracula in 1974. High point: Brides of Dracula, which doesn’t actually have Dracula in it, but does give Cushing his best moments as Van Helsing.

 

 

 

 

 

Someday I shall return as Nixon.

FAVORITE DRACULA: The toughest choice of all, except that it’s not, really. If I use the gauge of which Dracula I watch the most, it has to be Frank Langella. Sure, he’s got seventies blow-dried hair in what appears to be 1910, but no other Dracula has the presence to play so many scenes in barely a whisper. The big budget means impressive effects and strong casting (Laurence freakin’ Olivier plays Van Helsing, even), but the Coppola version had that and for me it withers with each viewing. This film actually grows stronger with time.

Exclusive new Memphis Vampires short story

Posted on by Alex in Blood Groove, Girls with Games of Blood, short stories, vampires | Leave a comment

As a thank-you to all the folks who enjoyed Blood Groove, and in anticipation of the release tomorrow of The Girls with Games of Blood, here’s the first part of a short story that takes place between the two books. You can read the whole thing on my website here.

J’OUBLIE

(c) 2010 Alex Bledsoe

Memphis State University, late summer, 1975

“You again,” the sour librarian said as she looked up.

“Yes,” Alisa Cassidy said, “me again.” She struggled to smile despite the stab of pain. Six months, the doctors said, and that’s if she put herself in their hands, which she refused to do. Lying bald in a hospital bed was not how she wanted to go. She had no patience for this wrinkled old crone’s little power trip, but it was a barrier that had to be negotiated if she wanted to reach her goal. She added helpfully, “I called ahead.”

“Oh, I know,” the librarian said as she rose from her seat. Her long, spindly limbs made her resemble some insect unfolding; her tall beehive hairdo added to the effect. “I have it ready for you.”

Alisa dearly wished Mrs. Cutlip, the former librarian, was still alive. For that matter, she supposed, so did Mrs. Cutlip. This replacement, brought in from one of the state system’s outlying campuses, seemed determined to make Alisa’s remaining time as miserable as possible. Whereas Mrs. Cutlip was always glad to see her and never insisted on the protocol of appointments, this bitter artifact was a stickler for meaningless details.

Alisa followed her to the Special Collections reading room, where the book waited for her. It sat on the pristine table like a fat, well-fed slug, its leather cover swollen with mildewed padding. The metal clasp and hinges were green with corrosion, and a black patch on the spine showed where someone had once attempted to burn it. The antiseptic confines of the rare book reading room made it look even more rancid. The thought of touching it again always made Alisa’s stomach turn.

“Wear these,” the librarian said, indicating a box of disposable cotton gloves. She looked disdainfully at the book, then at the woman who dared to consult it. “This book is the work of the devil, you know.”

“So I’ve heard,” Alisa said. Every time I talk to you, she added in her head.

“You can’t study it and not be affected by it. It wouldn’t surprise me if that’s why you got cancer.”

Alisa’s head snapped up, and the glare she gave the old woman was the first thing that had ever cracked the hag’s smug superiority. “If you’ll excuse me,” Alisa said through her teeth, “I have work to do.”

The librarian scurried out. Alisa trembled with suppressed rage and almost dropped the contents of her briefcase all over the floor. She sat and took several deep breaths, fighting the tears burning behind her eyes. It was a small campus, so naturally word got around about things like a faculty member with a terminal illness. Still, how do you justify calling yourself a Christian when you say things like that?

Alisa struggled to concentrate on the book before her: the Festa Magotta, a.k.a. the “Feast of Maggots.” She put on the gloves and turned the pair of metal clasps. She lifted the cover and scowled at the puff of noxious odor that escaped.

She consulted her notes and began turning the heavy, stiff pages. Translating this book was her life’s goal, and since that timetable was now significantly shortened, she had no time to waste.

She reached the point where she had stopped at her last session and turned the next page. Tucked into the fold was a thin stack of paper, of a much more recent vintage and covered with handwriting in English. She held her breath and leaned close, discerning the words “horror,” “insanity” and “poodle.”

She looked over her shoulder. If the mantis-librarian saw this, she’d snatch the papers away and Alisa might not see them again for months–months she didn’t have. So she carefully pulled them out, hid them among her own papers and began to read….

Read the rest of the story here.

And you can order your copy of The Girls with Games of Blood here.

Gone (but not forgotten) in 60 Seconds

Posted on by Alex in Blood Groove, Girls with Games of Blood, Gone in 60 Seconds, H.B. Halicki, Zginski | 6 Comments

If one cinematic trend defines the 1970s, it’s not the summer blockbuster (Star Wars, Jaws), the “New Hollywood” grit (Mean Streets, Taxi Driver) or even grindhouse exploitation. It’s the car chase movie. And the undisputed king is H.B. Halicki’s 1974 film, Gone in 60 Seconds.

To make an independent movie in the 70s was a sign of drive and willpower far beyond those of independent filmmakers today. Indie directors didn’t want to make navel-gazing talkfests like Juno or Garden State. They strove instead to give the people what they wanted: action, destruction, and anti-establishment heroes who, even when they fail, go out in a blaze of defiant glory. And it took more than a few thousand dollars and a digital camcorder: movies were shot on film and needed both big cameras and the raw stock. Then there was distribution. “Home video” did not exist, so except for television, the only market was theatrical.

H.B. Halicki was not a filmmaker. He was a raging self-starter who owned his own auto body shop at 17. And he bought cars. Lots of them. In fact, all the cars crashed in the film (93) were personally owned, and in most cases driven to their demise, by Halicki himself. He applied the same resolve to filmmaking, utlimately writing, directing, producing and starring in both this film and its 1982 follow-up, The Junkman. He personally took both the film and the wrecked Mustang known as “Eleanor” (touted as “the only car to ever receive star billing”) to drive-ins across the country–including one patronized by a certain fictional vampire trying to learn his way around 1975 Memphis.

In Blood Groove, my vampire Zginski was introduced to the modern automobile via the film Vanishing Point. By the time of my new novel, The Girls with Games of Blood, Zginski has seen Halicki’s film and is ready to find his own Eleanor. You’ll have to read the book to find out how he does it, and what name he chooses.

In 1989, Halicki was accidentally killed on the set of Gone in 60 Seconds II. The footage he’d already shot showed he most definitely hadn’t lost his touch. And although the clothes, music and scenery of the original film set it firmly in 1974, the visceral thrill from the 40-minute final chase is timeless.

What’s your favorite car chase movie? Leave a comment before midnight on Sunday, June 27 for a chance to win an advance copy of The Girls with Games of Blood (and for one lucky commenter, I’ll throw in a DVD of Bram Stoker’s Dracula)!

The winners of signed copies of Blood Groove are…

Posted on by Alex in Blood Groove, Girls with Games of Blood, giveaway, signed copies | Leave a comment


The Darth Vader cup came down off the shelf, the names were placed inside, and the Squirrel Boy did the random selecting. The winners are:

Milo H. Tomb

Angel 28140

Penny

Sara

Bookwench

Since none of you winners have e-mail contact info on your profile, please drop me a line (alex at alexbledsoe dot com) with your mailing address and to whom you’d like the book personalized.

Thanks to everyone who participated, and watch for more giveaways leading up to the July release of The Girls with Games of Blood!

Just in: the cover for The Girls with Games of Blood

Posted on by Alex in Blood Groove, contest, Girls with Games of Blood | 17 Comments

Here’s the cover for The Girls with Games of Blood, the sequel to Blood Groove.

Leave a comment before May 7 for a chance to win one of five signed paperbacks of Blood Groove, my first novel about vampires in Memphis in the Seventies.

The Girls with Games of Blood will be available in July!

The Madison Vampire Coven strikes!

Posted on by Alex in Blood Groove, Fred Schepartz, Jordan Castillo Price, Vampire Cabbie, vampires | 2 Comments


Last night, the Madison Vampire Coven had its second official Halloween reading, this year at Borders West. From left: me, Fred Schepartz (author of Vampire Cabbie and Jordan Castillo Price (author of the Psycop series).

(BTW, those aren’t stains on my shirt, they’re spots on the camera lens. I swear.)

And the winner is…

Posted on by Alex in Blacula, Blood Groove, giveaway, Stuart Gordon | Leave a comment

The Madison Horror Film Festival is over, and the winner of the DVD of Blacula and the signed copy of Blood Groove is…

R.K. Charron!

I also consider myself a winner, since in spite of the bludgeoning pain of having my wisdom teeth out, I still managed to get to the festival and meet director Stuart Gordon:

Thanks to everyone who commented on my blog, and look for more horror-related posts and giveaways as we get close to Halloween!