So my latest novel, Sword Sisters, is about to be released.
If you've been following me, you've seen me post about co-writing a prequel to the film The Legend of the Red Reaper with that movie's writer/director/star, Tara Cardinal. You can read about my motivation for doing so here.
And now, it's done. Sword Sisters: A Red Reaper Novel is about Read more
Today, one hundred and fifty-six years ago, Joseph Conrad was born in Russia. He was Polish, but became a nationalized British subject in 1886. In 1899, his masterpiece Heart of Darkness first appeared in print, serialized in a British magazine.
There’s a simple, almost unbelievable fact hidden in the above paragraph. Conrad was Polish, did not learn English until he Read more
A while back, fan Keith Johnson asked a deceptively simple question: “How has your writing changed from your first book to the last one?”
As I’ve explained elsewhere, my first published novel, The Sword-Edged Blonde, was an idea I’d nursed from 1980 to its publication in 2007. My second novel, Blood Groove, as well as my most recent, Wisp of Read more
My friend (and fan) Richard Garrison asked me, "Kevin Smith of Clerks fame has stopped making movies, claiming the 'tank was empty.' A lot of writers continue a series well past it's arc in some cases to meet reader demands, in some cases to pay the bills. When you start a series, do you see the end of the Read more
There might be cooler things in the world than a band you really like, writing brand-new songs based on your novels. But at the moment, I can't imagine what. Here's Tuatha Dea premiering their original song, "The Hum and the Read more
Three new stories featuring Tanna Tully, a.k.a. Lady Firefly, have arrived just in time for the quintessential witches’ holiday, Halloween (or Samhain, if you want to be technical about it). Here’s a bit about The Book of Cunning Women.
In “The Mischief Shades,” she investigates a seemingly light-hearted haunting borne of a ghastly tragedy that hits surprisingly close to home; in “Tourist Trap,” a friend’s suicide attempt exposes something long buried in a local park; and in “The Book of Cunning Women,” an artifact that could change history has to be pried from the selfish grasp of a popular novelist in the heart of Southern Gothic country, New Orleans.
This collection is available on Kindle, and will soon be on Nook, Kobe and all the other usual platforms.
And if you like it, please leave an honest review at the site of your choice.
As the release day for the second Tufa novel, Wisp of a Thing, approaches, you can now get the eBook of the first, The Hum and the Shiver, for only $2.99. It’s a limited-time offer, so hurry before supplies…oh, wait, it’s an eBook, they’ve got plenty. But the sale ends June 7, 2013!
Click here to order from Amazon for the Kindle, here to order from Barnes and Noble for the Nook!
The most famous Christmas story, besides the Biblical one, is without a doubt A Christmas Carol. Charles Dickens distilled the holiday spirit down to its essence with his tale of the miserly Scrooge who reforms his ways just in time for Christmas dinner. I love reading the actual story at Christmas, and watching my favorite* film version:
Yet take a step back from the many versions of this story, as well as the gargantuan list of other media (TV, radio, movies) that use it as a template and look at it from a fresh perspective, and Dickens’ accomplishment becomes that much more amazing.
The first edition of Dickens’ masterpiece
I mean, think about it: it’s a horror story, with genuinely scary ghosts (I defy anyone to not get a shudder from the Ghost of Christmas Future), a protagonist who advocates imprisoning children for debt, and its most sympathetic character (Tiny Tim) dies for lack of health insurance (okay, maybe not exactly that, but I stand by the analogy). Who puts all this in a Christmas tale?
A genius, that’s who.
Whatever his inspiration (and I’ve never researched it to find out), Dickens understood something basic about storytelling: the importance of balance. If his ultimate aim was to tell a heartwarming story for the holidays, he knew he had to even that out by adding dark, sometimes twisted elements that would balance the sweetness.
(You know who else understands this? David Lynch. In his best work–Blue Velvet, Wild at Heart, even Twin Peaks–he balances the genuine affection the characters feel for one another with horrific violence and bleakness. But if there was only one element without the other, his films would be just like everyone else’s.)
How important is balance in a holiday story? Watch any Lifetime or Hallmark Christmas movie and see how insipid it is when it’s all sweetness and warmth. Without the darkness, there’s nothing to make the light stand out.
Nothing says Christmas like…AHHHHHHH!
When I set out to write “A Ghost and a Chance,” one of the stories in my holiday collection Time of the Season, I had a simple conceit: I wanted to drop my own Victorian/Edwardian Spiritualist character, Sir Francis Colby, into Dickens’ tale. Since I wrote about Colby in a faux Victorian voice, I thought it would be fun to use actual text from Dickens, and see if I could hide the seams between that and my own stuff. And it was fun. But it also made me recognize just what a gigantic accomplishment Dickens had managed. He gave us both a classic Christmas tale, and a legitimate horror story. He combined two genres that shouldn’t work together at all, and made them both complement and enlarge each other.
And it takes a genius to do something like that.
Want to see if you can spot the Dickens in my story? You can find it, along with two other holiday tales, here for only $2.99!
*Not saying it’s the best, just that it’s my favorite. I grew up watching it on WREG-TV out of Memphis.
When I began planning Time of the Season, my holiday-themed e-book chapbook, I already had two of the stories. Both the title story and “A Ghost, and a Chance” had been around for a while. But I wanted to write something new, and I’d gotten such a good response from my novel, The Hum and the Shiver, that I decided to write a holiday story set in the that world. The Tufa stories all revolve around music, so I needed a song to form the center of this new one. So I asked around: did anyone know of an original winter or holiday song, one by an indie artist who could grant permission for me to use the lyrics in a story?
The first time I heard it, I knew it was the right song.
I contacted Andrew Brasfield, and happily, he agreed to let me quote from the lyrics in the story. This is a trickier proposition than it sounds, because a lot of musicians, particularly the ones played on mainstream radio, don’t actually own the rights to their own songs. Music publishers, record labels and other for-profit intermediaries have to also grant permission, and usually require payment to do so. Happily, there’s a whole world of great music being done by people like Andrew (and Jennifer Goree, and Laura Powers, and Jen Cass, and Kate Campbell) who not only own all their own rights, they’re delighted to have them included in a story or used in a book trailer.
Andrew also recorded a new version of the song at AudioCzar Productions, and played all the instruments himself (except for percussion). That version is available as a free download when you buy Time of the Season.
Andrew was also kind enough to answer a couple of questions about the song.
1) What inspired “Cold Wind”?
I used to work in television and was sent out west to Lander, Wyoming for a documentary shoot a few times over the course of 2010. On one of the final trips we set out early in the morning to catch some college students who were waking up for the last of their 21 day trip in the Wind River Range. It was really early in the morning and beautiful and I had some time to think while we were hiking. The wind was very cold and cut through me and I thought, the cold wind is an interesting image. So I came up with the first line then thought of other natural elements. Fire and water were classic images so and made verses to go with all of them. Somehow I remembered those lyrics and committed them to a small Holiday Inn Express notepad as soon as I got back to my room late that evening.
Side note: The cover photo for the song is actually a public domain photo of the Wind River Range that I manipulated a bit.
2) Your cousin Dale Short first told me about “Cold Wind,” and directed me toward the video. I had that same thing happen with the characters in the story: they learned the song from that same video. What’s the story behind the video?
There is no real story to be honest. I knew I wanted folks to hear some of my songs and while they can get a glimpse from the three songs I wrote on the first Motel Ice Machine CD, those aren’t the only songs I have in me and some of those are arranged differently from the way I usually do them. Also, I don’t have the cash to get into a studio whenever I write a new song so YouTube seemed like a more accessible medium. I’ll be certainly be adding more videos soon.
Dale still hasn’t given me all the details on how we are kin, but he is a good guy nonetheless and I appreciate what he does for local musicians through his radio show.
3) What did you think of the story that incorporates your song?
I really dug the way you wove it all together. I actually got chills when I read my lyrics in the story. I’m a big Tufa fan and having the Hyatt’s play my song in their living room is sort of surreal. I read The Hum and the Shiver shortly after it came out and was hooked. I’m (im)patiently waiting for Wisp of a Thing.
Andrew Brasfield is from a small town in Alabama where he lives with his wife and two daughters. His main axe is harmonica, which he wields in a few different bands including Motel Ice Machine and The Lefty Collins Band. He also plays a bit of guitar, bass and ukulele. He knows a handful of mandolin chords and has a few piano tricks. You can find out more about him here.
The new Firefly Witch e-book chapbook collection, Croaked: More Tales of the Firefly Witch, is now available for only $2.99.
Also, from now through Monday, July 2, 2012, the first Firefly Witch collection is available for FREE on Amazon. So if you’re curious about this new character and her world, there’s no better way or time to check it out.
Right now the good folks at Tor Books have the eBook of my first Eddie LaCrosse novel, The Sword-Edged Blonde, on sale for $2.99. So all you Nookies/Kindlers/iPadders, there’s never been a better time to see what a mash-up between high fantasy and hard-boiled pulp looks like.