When first pondering the story that would become The Fairies of Sadieville, my initial idea was one of form. I’d just read Jan Patocki’s The Manuscript Found in Saragossa and seen the Polish film adaptation, The Saragossa Manuscript. Both novel and film are “nesting” or “frame” stories, in which a tale is told within another tale, which is told within another … Read More
Finding the rhythm of another time and place
While revising The Fairies of Sadieville (available in two weeks!), my editor pointed out that some dialogue, for a subplot set in prehistory, sounded a bit too “modern.” When I stepped back and looked at it objectively, I had to agree. I had these primitive people speaking with the cadences, and more importantly in the syntax, of modernity. It was deliberate, since as always, I don’t want … Read More
Dark as a Dungeon: the music of the miners
Part of The Fairies of Sadieville takes place in 1915, and involves two specialized occupations: making silent movies, which I’ll cover elsewhere, and coal mining. Sadieville is a new coal boom town, and I was determined to get it right. I did a lot of book research on it, to get accurate technology and terminology, but to get the feel, I turned, appropriately, to … Read More
Why fairies?
One of the most basic questions I get about the Tufa series, which concludes in April with The Fairies of Sadieville, is also one of the hardest to quantifiably answer: Why fairies? It certainly wasn’t an obvious interest. I grew up in a tiny Southern town, surrounded by friends and family who had no time for matters of imagination. And even … Read More
“Sadieville” and The Fairies of Sadieville
I’ve written about the music of the Tufa novels many times, from many different perspectives. The songs quoted in the text tend to be classic public domain folk songs, or songs written by musicians who have given me permission to use them. I have on occasion written lyrics myself (most extensively in Wisp of a Thing), but I make no … Read More
Death Wish, Old and New
After seeing commercials for the upcoming Eli Roth remake, I rewatched the original Death Wish from 1974. I was really surprised by how different Death Wish was from what I remembered, and how Roth’s remake, to judge from the trailers, totally misses the point. Yes, Charles Bronson becomes a vigilante after his family is brutally attacked, but that’s just the skeleton … Read More
Interview: Sean Grigsby, author of SMOKE EATERS
Dragons are ubiquitous, and as a result, it can be difficult for a writer to find a new way to present them. Sean Grigsby, a fellow west Tennessean, has found a great approach: he combines dragons with his own experiences as a firefighter in his first novel, Smoke Eaters. I was lucky enough to read an advance copy of it, and … Read More
On Fairy Life
This is the second post adapted from a presentation I did at the 2017 Pagan Unity Festival. You can read the first post here. As I said in the prior post, if you’re here reading this, you probably already know that my Tufa novels are about a race of exiled fairy folk in the mountains of east Tennessee. The title of … Read More
What are fairies?
This is adapted from a presentation I gave at the 2017 Pagan Unity Festival. If you’re here reading this, you probably already know that my Tufa novels are about a race of exiled fairy folk in the mountains of east Tennessee. The title of the sixth and final book in the series, The Fairies of Sadieville, explicitly references this connection. And although they’re … Read More
On Themes and the Tufa, Part 2
See part 1 here. When The Hum and the Shiver proved successful enough to warrant a sequel, I wanted to advance the themes as well as the story. I decided that the central recurring character would be the place, not Bronwyn Hyatt. Cloud County and Needsville held many other characters I felt could (and subsequently did) carry their own novels. I’ve said … Read More