I’ve written about the music of the Tufa novels many times, from many different perspectives. The songs quoted in the text tend to be classic public domain folk songs, or songs written by musicians who have given me permission to use them. I have on occasion written lyrics myself (most extensively in Wisp of a Thing), but I make no … Read More
Interview: Sean Grigsby, author of SMOKE EATERS
Dragons are ubiquitous, and as a result, it can be difficult for a writer to find a new way to present them. Sean Grigsby, a fellow west Tennessean, has found a great approach: he combines dragons with his own experiences as a firefighter in his first novel, Smoke Eaters. I was lucky enough to read an advance copy of it, and … Read More
On Fairy Life
This is the second post adapted from a presentation I did at the 2017 Pagan Unity Festival. You can read the first post here. As I said in the prior post, if you’re here reading this, you probably already know that my Tufa novels are about a race of exiled fairy folk in the mountains of east Tennessee. The title of … Read More
What are fairies?
This is adapted from a presentation I gave at the 2017 Pagan Unity Festival. If you’re here reading this, you probably already know that my Tufa novels are about a race of exiled fairy folk in the mountains of east Tennessee. The title of the sixth and final book in the series, The Fairies of Sadieville, explicitly references this connection. And although they’re … Read More
On Themes and the Tufa, Part 1
When I wrote the first Tufa novel, The Hum and the Shiver, I had no plans for a series. I wrote it on spec, without a contract, just prior to the release of my first novel, The Sword-Edged Blonde. In that first Tufa book, I had a very particular, self-contained story in mind: circumstances force Bronwyn Hyatt to decide how … Read More
Reader Question: Writing from a Woman’s POV
Reader Jane Payne (a name I just may borrow for a character) asked on my Facebook author page: “Writing POV for female characters. You do well! Is it challenging?” First, thank you for the compliment. I appreciate that a lot. Is it challenging? I can’t deny that it was at first, mainly because I expected it to be. We’re taught … Read More
Edit Disasters Addendum: When It All Goes Right
This is a quick addendum to yesterday’s blog post about editing disasters, to show you an example of when things go right. Recently I sold the short story “White Hart, Black Knight,” to Uncanny Magazine. It’s a story about my character Eddie LaCrosse, inspired by an Arthurian tale of Sir Gawain. When I turned it in, the editor very astutely pointed out … Read More
Edit Disasters and the Writers Who Cause Them (i.e., me)
Over on my Facebook author page, reader Susan Wachowski asked, “Any edit disasters after you turn in your manuscript?” In my usual process—and mine is really the only one I know—there are several steps before a book reaches a reader’s hands. First I typically do at least three drafts, possibly more, before anyone else reads it. That can clock in … Read More
The Everyman of Richard Ford
Recently I read the following article that recounts, in part, the time in 2003 when writer Richard Ford spat on African-American author Colson Whitehead, two years after the latter gave him a bad review. Nearly fifteen years later, Ford still feels it was justified, and the article speculates about his perceived racism, both in person and in his work. Essayist Rebecca Solnit … Read More
Guest blog: Sarah Gailey on Hippos
The premise of Sarah Gailey’s insanely fun new novella, River of Teeth, is that there are killer feral hippos in the Mississippi, and someone has to deal with them. Since I just released a novel that featured killer feral hogs, I loved her idea, and once I read it, I loved it even more. So much so that I asked Sarah to do … Read More