So my latest novel, Sword Sisters, is about to be released.
If you’ve been following me, you’ve seen me post about co-writing a prequel to the film The Legend of the Red Reaper with that movie’s writer/director/star, Tara Cardinal. You can read about my motivation for doing so here.
And now, it’s done. Sword Sisters: A Red Reaper Novel is about to be published by Rogue Blades Entertainment, who also published Writing Fantasy Heroes, which included an essay by me. So they know the genre pretty well.
The main character is a half-human, half-Demon teenage girl named Aella, who struggles with the same things most adolescents do: family, school, boys, and friends. It’s told in her voice, which means I had to write it from the perspective of a sixteen-year-old girl. As you can imagine, that’s not exactly my default inner voice, but it turned out to be surprisingly easy. The trick, if you can call it that, is simply to surrender to the logic of the character. It’s either something Aella would say/do/feel, or it’s not; gender is really irrelevant, as is age.
This is also my first time working in someone else’s mythology, unless you count my flirtation with Charles Dickens in “A Ghost, and a Chance,” one of the stories in my Time of the Season ebook collection. Tara created a whole world for her film, with its own mythology, theology and history. Before I started, I assumed my ideas would butt up against hers constantly, but actually the opposite happened. Much like writing the character, writing the world was simply a matter of surrendering to its logic.
So how did we actually collaborate? Tara wrote a big chunk of the beginning, from which I extended an outline that we both signed off on. I picked up from the end of what she wrote, continuing the story in similar big chunks, which she would then revise. Again, I was worried that we would end up screaming at each other; after all, who was she to be changing what I wrote, I imagined myself thinking? But that never happened; any of the few things we disagreed on we hashed out with no acrimony. We each sort of accepted the other’s area of expertise: I was the full-time writer, and she was the world-builder, franchise supervisor and embodiment of the main character. If she said something wasn’t true to Aella, I had to accept it; after all, she is Aella.
Our working title was The Cave of Acherode, subsequently The Cave of Lurida Lumo (following a character’s name change). This was fine as a file name on our computers, but it didn’t really capture what the book was about, or jump out at you from a bookshelf. After the manuscript was completed and edited, we–me, Tara and the publisher–brainstormed and came up with something much punchier, and more true to the story: Sword Sisters.
So what is the book about? It’s about two young women who don’t fight over a boy, don’t sabotage each other, and work together to fight not just for themselves, but for others. It has monsters, action, touches of romance, and hopefully some good jokes.