Warning: SPOILERS pretty much throughout.
If you’re a parent, particularly of a daughter, then you–like me–have probably seen/heard/experienced Frozen more than you ever thought possible. But this is not a post about the ubiquitous “Let It Go” song, which now even Pearl Jam have referenced. No, this is about the one element of the movie that I just can’t make up my mind about.
Hans is the villain, but you don’t know it until just before the end. Up until the big reveal, he not only seems like a decent guy, he seems like a great guy. He steps up and holds down the fort in Arendelle while Anna goes off to find Elsa, and that includes keeping the population safe and calm. He even saves Elsa from assassins, which ultimately seems counter-productive. In fact, although the movie goes to great pains to remind Anna that it’s a bit insane to plan to marry someone you’ve just met, we’re led to think that Anna might be right after all. Hans is awesome.
Until, of course, the big reveal that he’s not. And his moment of Blofelding, where he explains his evil plan.
Now, I (and every writer I know, and a huge number of fellow bloggers) have wondered about this moment ever since. Was this on purpose, and part of the deliberate design, or did the decision to make Hans the villain come so late in the game that there wasn’t time to drop clues earlier in the film?
I’ve done extensive (i.e., half an hour while the kids were eating breakfast) online research into this, and it does seem that the change in Hans was intrinsic. From Wikipedia:
“…according to Hyrum Osmond, one of the supervising animators for Hans, Hans is this handsome, dashing character. The crew wanted the audience to fall in love with him and the relationship he could have with Anna. Then they’d get to turn him around towards the climax and make it a big shock. According to Lino Di Salvo, Hans is a chameleon who adapts to any environment to make the other characters comfortable.”
Okay, fair enough. So why didn’t the filmmakers tip their hand earlier? Why not give us hints that Hans is secretly the bad guy?
Perhaps Stanley Kubrick has the answer.
In this interview on his film Barry Lyndon, Kubrick says:
“You could have had Barry give signals to the audience, through his performance, indicating that he is really insincere and opportunistic, but this would be unreal. When we try to deceive we are as convincing as we can be, aren’t we?”
This was actually the very first thing I thought of when reflecting on Hans’ betrayal. And the whole Hans plot is so refreshingly anti-Disney that I hope I’m right, that it was a deliberate choice from the git-go, and not a last-minute tweak to provide a villain.
And if so, perhaps that inspiration goes back to Shakespeare:
“One may smile, and smile, and be a villain.”
(Hamlet, Act I, Scene 5)