On New Year's Day, I did some surfing through various Twitter feeds and came across this article by Caroline Pruett. Titled, "Talking to Our Daughters About Violence Against Women in Comics," she speaks to the issue of "women in refrigerators," a term for using the death and/or brutalization of female characters as devices to motivate male heroes. It's a Read more
Recently I caught up with the cast recording of the Stephen King/John Mellencamp musical, Ghost Brothers of Darkland County. As a longtime fan of Mellencamp's, and an admirer of King's (there's a difference, and I'll explain it shortly), I was curious to see what they'd come up with working together, and in a form neither had tried before.
The results, Read more
Two weeks ago I reviewed Mythica: A Quest for Heroes, the first in a projected five-film epic fantasy series. As well as being a great little film, it was notable for having two female characters as the driving forces of the story, with neither sidetracked into any obligatory romance. The two actresses who played these roles, Melanie Stone and Read more
Carmilla, J. Sheridan LeFanu's 1871 novella that predates Bram Stoker's Dracula, is a seminal work of genre fiction. It introduces the idea of the lesbian vampire, something that later writers would expand into its own genre (check out Hammer's The Vampire Lovers for a fairly faithful, if overtly sexed-up, version). It's also surprisingly contemporary in its writing style. So Read more
Back in 2011, I stumbled on Arrowstorm Entertainment's Dawn of the Dragonslayer, a low-budget fantasy epic that had the look of a much more expensive film. But what really got my attention was the care given to the performances: leads Richard McWilliams and Nicola Posener really dug into their characters, and director Anne Black gave them the time to Read more
One more day until the official release (in stores, online, on eBook platforms and on unabridged audio) of the second Tufa novel, Wisp of a Thing. Here’s a brand new trailer featuring new music, this time by James Travis, that focuses on a completely different aspect of the story. Hope you enjoy!
My friend from the Heroic Fiction League on Facebook, Violette Malan, graciously invited me to participate in The Next Big Thing blog series. Each author answers the same set of questions, and passes them on to five more authors, who post their answers the following week and pass them on to five more authors, and so forth.
You’ll find Violette’s answers here, and my list of invited contributors at the bottom of this post. My answers begin right here.
What is your working title of your book?
It’s currently called He Drank, and Saw the Spider. I’m batting .500 in my initial titles making it to print (for example, Wake of the Bloody Angel was originally called The Two Eddies), so we’ll see how this one does. This time, my title is both a line from the book, and also a shout-out to the source material.
Where did the idea come from for the book?
It was inspired by The Winter’s Tale, one of Shakespeare’s last and most complex plays. It’s a genre-bending story of betrayal and reconciliation, and a real head-scratcher the first time you read or watch it. It’s best known for one of its stage directions: “Exit, pursued by a bear.”
My initial idea was, “What if Eddie was dropped into the Autolycus role in the plot?” The final book is considerably different, but that was the inspiration.
What genre does your book fall under?
It’s sword-and-sorcery, but crossed with a healthy dollop of pulp detective fiction; “sword noir,” I guess. One reviewer called it, “Sam Spade with a sword.”
Which actors would you choose to play your characters in a movie rendition?
I’ve said elsewhere on this blog that the ideal casting for Eddie LaCrosse is Alien-era Tom Skerritt.
But otherwise, I prefer not to lock down the images of the characters. Each reader will have his or her own ideas, and I don’t want to get in the way of that. I’ll worry about it when an actual movie deal happens.
What is the one-sentence synopsis of your book?
As a young mercenary, Eddie LaCrosse saves an abandoned baby from a bear; sixteen years later, now a private sword jockey, he has to save her again, this time from a complex plot involving magic, murder and an insane king.
Will your book be self-published or represented by an agency?
It will be published by Tor in 2014.
How long did it take you to write the first draft of your manuscript?
About eight months. A lot of that was research, reading up on Shakespeare, rereading his plays and internalizing a lot of Shakespearean scholarship. It may seem simple to take a plot or character from Shakespeare, but to do it justice you also have to understand what that character means, and how he or she functions in the play. For example, there’s a character loosely based on Caliban from The Tempest; Caliban has been used to represent everything from Irish bog people to a half-human fish monster to the plight of third-world citizens under Western occupation. If you’re going to put someone like him in your book, you have to decide what he represents for you, and how that affects the story and the other characters.
This is the same approach I’ve used for my other Eddie LaCrosse novels. Burn Me Deadly, for example, is about dragons, so I researched what people thought of them back when it was believed they really existed. Dragons were never simply animals, they were embodiments of beliefs and supernatural powers. If I wanted my dragons to carry that same weight of “believability,” I had to decide what they embodied in the world of my characters.
What other books would you compare this story to within your genre?
My Eddie LaCrosse novels are always compared to Glenn Cook’s “Garrett, P.I.” novels and Jim Butcher’s Dresden Files. The influences I’m most conscious of are two Bobs: Robert E. Howard and Robert B. Parker.
Who or what inspired you to write this book?
One of the consistencies of my Eddie LaCrosse series is that each book embraces a set of existing tropes; Dark Jenny, for example, is Arthurian at heart. In this one, I wanted to put Eddie into a Shakespearean story, so I looked for the best one to drop him into. I chose The Winter’s Tale because there’s a mystery at its heart.
What else about your book might pique the reader’s interest?
It’s a fun and funny story. Eddie’s girlfriend Liz once again plays a major role, the first time since Burn Me Deadly. There’s action, suspense, magic and romance. There’s a mad king, a sorceress, and sheep. Lots of sheep.
Thanks to Violette for including me in this blog trail. Now, here are my five awesome and talented writer friends who will be posting their answers next week.
It’s no secret that the Eddie LaCrosse novels owe as much to mystery as they do fantasy, especially the hardboiled pulps and films noir of the 30s and 40s. So when I wrote Wake of the Bloody Angel, I knew its title would have to be a play on a title from the mystery genre, much as Burn Me Deadly echoes Kiss Me Deadly.
With that in mind, I turned in the manuscript under the title The Two Eddies, a play on the (unfairly, IMO) much-maligned sequel to Chinatown, The Two Jakes. Not only were there two characters named Eddie (my hero, and the pirate Black Edward Tew), but I liked that the term “eddy” also meant a current of water. My publisher, however, felt the title was too low-key, and that we needed something that would better jump out at a potential reader. I’m no elitist: I understand the purpose of marketing, and I’m generally sympathetic to it. Further, my publisher didn’t say, “We’re changing the title,” they asked me for another title, which is mutually respectful. And, luckily, I had one ready.
There aren’t that many nautical noirs. In film there’s The Phantom Ship, the first film from Britain’s legendary Hammer Studios, based on the Marie Celeste and starring a fading Bela Lugosi. There’s Wreck of the Mary Deare, with a young Charlton Heston and an old Gary Cooper. And there’s The Ghost Ship, part of Val Lewton’s extraordinary series at RKO that also included Cat People and I Walked with a Zombie.
Then there’s Wake of the Red Witch.
John Wayne as Captain Ralls.
Based on a novel by Garland Roark, it was made into a 1949 film starring John Wayne before he became codified as a Western star. He plays a captain who scuttles the titular Red Witch for reasons that go back years, and involve a girl (although she’s not a femme fatale; more of a naif fatale, if that’s a legitimate term). Its flashback structure resembles that of Out of the Past. And it has one of Wayne’s best introductions, when he’s discovered lashed to a piece of wood, drifting among circling sharks, and the film’s villain Sydney rescues him.
SYDNEY: What’s your name?
SYDNEY: Your full name?
WAYNE: Captain Ralls.
There’s nothing in the plot of Wake of the Red Witch that really influenced Wake of the Bloody Angel, but the concept of a wake, like that of an eddy, has a double meaning: both the waves left by a ship’s passage, and a memorial service for someone who’s died. And so, relatively painlessly, The Two Eddies became Wake of the Bloody Angel.
(Trivia: the mechanical octopus used in the film was “borrowed” [i.e., stolen] by Ed Wood’s crew for Bride of the Monster, as depicted in Tim Burton’s exquisite ode to perseverance, Ed Wood.)
A few pictures from World Fantasy. I was too busy to take very many, unfortunately.
Me and my tablemate Travis Heerman, author of Heart of the Ronin, at the mass signing Saturday night.
Me and Amelia Beamer, author of The Loving Dead (which I reviewed here). Amelia also interviewed me for Locus magazine.
Me with Tom Doherty, head of Tor Books.
From left. Anthony Huso, author of The Last Page; author Brandon Sanderson’s assistant (his name escapes me); Tobias Buckell, author of Halo: The Cole Protocol; Tobias’s twin daughters; Tobias’s wife Emily; Tor editor Paul Stevens; Marie Brennan, author of A Star Shall Fall; and me.
With the release of BURN ME DEADLY just around the corner (mark your calendar: November 10), I can now officially say it won’t be the last Eddie LaCrosse novel. Eddie will return in DARK JENNY in winter 2011, followed by a fourth (currently untitled) adventure in summer 2012.
In addition, I’ll be introducing a brand new world in fall 2011 with the release of THE HUM AND THE SHIVER.
Tor Books will be publishing all three. More details on each title will be forthcoming.
Thanks to all the readers who responded to Eddie and his world. I hope to keep him on the case for many more adventures!