Review: Road to Hell

There are a lot of film parodies, but not so many films that function as commentaries. Offhand, the best known example might be The Freshman, in which Marlon Brando both spoofs his Godfather persona and simultaneously creates a new, ironic character. Road to Hell, the new film by Albert Pyun, is a commentary film, in a sense. Michael Pare plays Cody, … Read More

Review: Mean Guns (director’s cut)

There’s a theory that silent-era filmmakers were just on the verge of perfecting movies as a legitimate art form when sound came in and took away the primacy of the image. Suddenly what people said became just as important, if not more so, than what they did. A purely visual medium entered into an uneasy symbiosis with the spoken word. Occasionally, … Read More

Review: Albert Pyun’s Bulletface

One of the first interviews I did for this blog was with cult director Albert Pyun about his upcoming film Road to Hell (you can read it here). Now he’s released Bulletface, part of the grand tradition of films created in a ridiculously short period of time, in this case five and a half days (twice as long as Corman’s … Read More

Interview: Albert Pyun, director of Road to Hell

Albert Pyun has been working steadily as a director since his 1982 debut, The Sword and the Sorcerer. He’s got over forty credits under his belt, and has worked with actors such as Dennis Hopper, Charlie Sheen, Burt Reynolds, Natasha Henstridge and Teri Hatcher. Now he’s putting the finishing touches to Road to Hell, a homage to one of my … Read More

…to the Road to Hell: Interview with Cynthia Curnan

A couple of days ago, I blogged about my affection for the 1984 film Streets of Fire, and my excitement at learning a follow-up, Road to Hell, was in the works. While Road isn’t an official sequel (the makers term it a “dark tribute”), it does have Michael Pare’ back in that duster, and promises a unique riff on the … Read More

From Streets of Fire….

In 1984, director Walter Hill was riding high on four successes in a row: The Warriors, The Long Riders, Southern Comfort and the mega-hit 48 Hours. Having earned carte blanche, he used it to create a strange, one-of-a-kind pet project that blended genres, eras, and musical styles in what he termed a “rock and roll fable,” Streets of Fire. His … Read More