Out of the Theater Defeated, Into a Defeated World

SPOILER ALERT for Avengers: Infinity War (and The Empire Strikes Back, if anyone truly needs that now). Although I’m far too late for this to qualify as any sort of “hot take”–is “tepid take” a thing?– I’ve put a lot of thought into what bugs me (to put it mildly) about Avengers: Infinity War. And just to be clear, I’ve … Read More

Serendipity, Saragossa, and Moonshine

When first pondering the story that would become The Fairies of Sadieville, my initial idea was one of form. I’d just read Jan Patocki’s The Manuscript Found in Saragossa and seen the Polish film adaptation, The Saragossa Manuscript. Both novel and film are “nesting” or “frame” stories, in which a tale is told within another tale, which is told within another … Read More

Death Wish, Old and New

After seeing commercials for the upcoming Eli Roth remake, I rewatched the original Death Wish from 1974. I was really surprised by how different Death Wish was from what I remembered, and how Roth’s remake, to judge from the trailers, totally misses the point. Yes, Charles Bronson becomes a vigilante after his family is brutally attacked, but that’s just the skeleton … Read More

Some Thoughts from Down at the Crossroads

WARNING: Contains spoilers for the 1986 movie Crossroads (not the 2002 Britney Spears film). If you haven’t seen it, I wholeheartedly recommend it. I recently rewatched Walter Hill’s movie Crossroads, and was surprised by how much I had internalized its depiction of the relationship between music and magic, and how that had influenced my own Tufa novels. I first saw it … Read More

Interview: Marco van Belle, director of Arthur and Merlin

Last week, I posted a review of Arthur and Merlin, a movie that really surprised me with how good it was, and how well it worked within its low-budget means. I asked director/co-writer Marco van Belle if he’d answer some questions about it, and he was kind enough to agree. AB: What inspired you to tackle an Arthurian movie in … Read More

The Only Good Musical is About Actual Musicians

Although music forms a huge part of many of my novels, I don’t, as a rule, like traditional musicals. People bursting into song, unless it’s played for laughs (as in Cannibal: the Musical, an early film by South Park’s creators), overwhelms my suspension of disbelief. Even something as monumentally clever as Little Shop of Horrors stops dead (and never recovers) … Read More

Interview: filmmaker Lisa Stock

When it was announced a few years ago that Joss Whedon would be doing the new Wonder Woman movie, I was of the unpopular opinion that he was dead wrong for it. My main reason was that, in all the shows he’s produced and scripts he’s written, he has yet to show he can write about anything other than boys … Read More

Guest blog: Dale Short on his film Recovering Racist

I was honored to be the first contributor to this documentary Kickstarter project, and rather than attempt to convince you myself, I asked acclaimed author Dale Short, one of the people behind the film, to explain where the idea came from and how important it is.  And please check out the video trailer at the end of his article and … Read More

Film Review: Over Home: Love Songs from Madison County

Way back in the early years of this century (being able to say that makes me smile), the spark of the idea that would become the Tufa struck me at the National Storytelling Festival in Jonesborough, Tennessee. Also at that festival, I first heard Sheila Kay Adams at one of the midnight sessions, in a huge tent on a warm … Read More

Witchcraft Through the Ages (of TV and Movies, that is)

Witchcraft has an iffy history in film and television. When I first started doing my Firefly Witch stories, one thing I reacted against was the standard image of the pop-culture witch. Leaving aside the blatant “wicked witch” portrayals, it’s still hard to find anything remotely accurate, let alone sympathetic. It’s not impossible, though. One of the earliest films about witchcraft, … Read More