This is a story of a cinema treasure hunt, and as such, may be a bit tedious to those outside the rather narrow confines of “Lost Italian horror films of the 1980s” fandom. But I suspect everyone loves a mystery, and I’ll do my best to make this one interesting. Right around the turn of the last century, I recall … Read More
The Importance of the Right Feel
There’s an element of storytelling that’s seldom discussed, even more seldom taught or mentioned in reviews, because for the most part it’s objectively unquantifiable. It’s a story’s feel. And it’s become for me the barometer of pop culture properties that pass through many hands before reaching the public. I first became aware of it thanks to Batman. In 1989, we … Read More
“Don’t you think I’m taking this really well?”
Recently filmmaker Lexi Alexander tweeted: “The ‘nagging wife of cop who‘s trying to catch serial killer’ trope has to die. Look…there’s no woman who prefers a serial killer roaming around if it means a few hours more with the husband. Doesn’t happen. Male fantasy.” I first encountered this trope at age 14, in Close Encounters of the Third Kind. Roy … Read More
“I am fearless, and therefore powerful”: the Monster and the Siren
We sometimes forget, because familiarity negates it, that Frankenstein’s monster is supposed to be scary. I’m talking specifically about the Boris Karloff monster from the first three Universal films, Frankenstein, Bride of Frankenstein, and (my favorite) Son of Frankenstein. I suppose the later films with other performers as the monster (Lon Chaney, Glenn Strange, Bela Lugosi, etc.) could also be … Read More
Out of the Theater Defeated, Into a Defeated World
SPOILER ALERT for Avengers: Infinity War (and The Empire Strikes Back, if anyone truly needs that now). Although I’m far too late for this to qualify as any sort of “hot take”–is “tepid take” a thing?– I’ve put a lot of thought into what bugs me (to put it mildly) about Avengers: Infinity War. And just to be clear, I’ve … Read More
Serendipity, Saragossa, and Moonshine
When first pondering the story that would become The Fairies of Sadieville, my initial idea was one of form. I’d just read Jan Patocki’s The Manuscript Found in Saragossa and seen the Polish film adaptation, The Saragossa Manuscript. Both novel and film are “nesting” or “frame” stories, in which a tale is told within another tale, which is told within another … Read More
Death Wish, Old and New
After seeing commercials for the upcoming Eli Roth remake, I rewatched the original Death Wish from 1974. I was really surprised by how different Death Wish was from what I remembered, and how Roth’s remake, to judge from the trailers, totally misses the point. Yes, Charles Bronson becomes a vigilante after his family is brutally attacked, but that’s just the skeleton … Read More
Tobe Hooper: the Kids and the Chainsaw
The recent death of director Tobe Hooper has me, and millions of others, thinking about his landmark third film, The Texas Chainsaw Massacre. In 1974, Massacre presented three major innovations. One, it was both set and made in Texas, and wore its non-Hollywood pedigree on its bloody, tattered sleeve. Two, it was (or seemed to be, which I’ll get to) gratuitously … Read More
Why I Want WONDER WOMAN to be Awesome
So the advance word on the Wonder Woman film is good, and that’s a relief. I’ve found every other DC movie to be heartless and cruel, so I was seriously concerned that they’d screw this one up as well. But, as I said, the advance word is good. And that same advance word comes with a now-typical response from crying … Read More
The Same River Twice: Tender Mercies and Crazy Heart
Recently I finally caught Jeff Bridges’ Oscar-winning performance in Crazy Heart. And while he was certainly very good, I couldn’t shake the sense that I’d seen this movie before, when it starred Robert Duvall and was called Tender Mercies. Naturally, I’m not the first viewer to notice that. The similarities are striking. Even the protagonists’ names are similarly short, sharp, … Read More