When a writer creates a character, he or she generally has a very clear image in his or her mind’s eye. Sometimes it can be of a well-known, specific actor: it’s no secret that Alien-era Tom Skerritt inspired Eddie LaCrosse, hero of my latest novel Wake of the Bloody Angel. Conversely, there is no actress who completely matches my idea of … Read More
A story as tight as a sharkbite
Every year on the Fourth of July, we watch Jaws. It’s the original summer movie, and the template for everything great about the blockbuster/tentpole approach. It’s also a really good story (and yes, it was a good story when Melville first told it, too, but that’s another post). The book it is based on, however, is not. A really good story, … Read More
Maria Scholl, the overlooked great science fiction heroine
A while back I wrote about Meg Coburn (Mira Sorvino) of The Replacement Killers, the forgotten great action heroine. Now I’m spotlighting Maria Scholl, the overlooked great science fiction heroine. Scholl, played by Cox Habbema, is one of the main figures of Eolomea, a 1972 East German (i.e., Soviet-era Communist) SF film directed by Hermann Zschoche. In a nonspecific future, spaceships … Read More
Interview: Jefferson Brassfield, screenwriter of Westender
I took a chance on the 2003 movie Westender, based on the DVD cover image to the left. I love fantasy films, and this one seemed unusually somber and even (dare I hope?) thoughtful, instead of the usually mayhem and scantily-clad girls (not that there’s anything wrong with that). It turned out to be just that: a meditation on redemption, shot in … Read More
Interview: Red Reaper director Tara Cardinal
NOTE: October, 2013. When this post first ran, the director used the pseudonym “Kristen Stewart” for reasons related to financing and marketing concerns. Since then, happily, those concerns no longer apply, and the truth can come out: Legend of the Red Reaper was written, produced, partially choreographed and directed by its star, Tara Cardinal. Keep that in mind when reading … Read More
“We two are now more than us two”: messing with the rhythm
Every good work of dramatic storytelling has an internal rhythm that we, as readers/watchers/listeners, subconsciously pick up on as we go further into it. It often means we’re able to sense where a story is going before we should, based on hints the storyteller didn’t even know s/he was giving us. Sometimes it can be obvious, like the ten individual … Read More
Interview: Kim Dryden, co-director of Appalachian film “Over Home”
My introduction to Appalachian culture, which figures so strongly in The Hum and the Shiver, really took place in the late 1990s. Prior to that, I’d looked on the Smoky Mountain region of Tennessee with some of the same distant awe as anyone else. Tennessee is a long, narrow state, and I grew up on the whole other end from … Read More
Review: Mean Guns (director’s cut)
There’s a theory that silent-era filmmakers were just on the verge of perfecting movies as a legitimate art form when sound came in and took away the primacy of the image. Suddenly what people said became just as important, if not more so, than what they did. A purely visual medium entered into an uneasy symbiosis with the spoken word. Occasionally, … Read More
The best of Dracula
The Halloween season here means one thing, one name: Dracula. It’s time for my annual re-read of the novel, and to break out the Dracula DVDs. Because I love them all: Schreck, Lugosi, Lee, Langella, Jourdan, Palance, Kinski, Butler, even misfires like Oldman. So I thought it would be fun to pick my favorites specific aspects of Dracula cinema. For the … Read More
Film review: “Dawn of the Dragonslayer”
First, a digression: the SyFy Channel, much like MTV before it, has done considerable damage to the very thing it first embraced. Now the phrase, “A SyFy Original Movie” elicits the same sort of laughter as Mystery Science Theatre 3000, and for the same reason: you hear it and you know you’re in for a bad movie. And SyFy is … Read More