This is a story of a cinema treasure hunt, and as such, may be a bit tedious to those outside the rather narrow confines of “Lost Italian horror films of the 1980s” fandom. But I suspect everyone loves a mystery, and I’ll do my best to make this one interesting. Right around the turn of the last century, I recall … Read More
Out of the Theater Defeated, Into a Defeated World
SPOILER ALERT for Avengers: Infinity War (and The Empire Strikes Back, if anyone truly needs that now). Although I’m far too late for this to qualify as any sort of “hot take”–is “tepid take” a thing?– I’ve put a lot of thought into what bugs me (to put it mildly) about Avengers: Infinity War. And just to be clear, I’ve … Read More
Death Wish, Old and New
After seeing commercials for the upcoming Eli Roth remake, I rewatched the original Death Wish from 1974. I was really surprised by how different Death Wish was from what I remembered, and how Roth’s remake, to judge from the trailers, totally misses the point. Yes, Charles Bronson becomes a vigilante after his family is brutally attacked, but that’s just the skeleton … Read More
Edit Disasters and the Writers Who Cause Them (i.e., me)
Over on my Facebook author page, reader Susan Wachowski asked, “Any edit disasters after you turn in your manuscript?” In my usual process—and mine is really the only one I know—there are several steps before a book reaches a reader’s hands. First I typically do at least three drafts, possibly more, before anyone else reads it. That can clock in … Read More
The Everyman of Richard Ford
Recently I read the following article that recounts, in part, the time in 2003 when writer Richard Ford spat on African-American author Colson Whitehead, two years after the latter gave him a bad review. Nearly fifteen years later, Ford still feels it was justified, and the article speculates about his perceived racism, both in person and in his work. Essayist Rebecca Solnit … Read More
Why I Want WONDER WOMAN to be Awesome
So the advance word on the Wonder Woman film is good, and that’s a relief. I’ve found every other DC movie to be heartless and cruel, so I was seriously concerned that they’d screw this one up as well. But, as I said, the advance word is good. And that same advance word comes with a now-typical response from crying … Read More
The Same River Twice: Tender Mercies and Crazy Heart
Recently I finally caught Jeff Bridges’ Oscar-winning performance in Crazy Heart. And while he was certainly very good, I couldn’t shake the sense that I’d seen this movie before, when it starred Robert Duvall and was called Tender Mercies. Naturally, I’m not the first viewer to notice that. The similarities are striking. Even the protagonists’ names are similarly short, sharp, … Read More
The Two Sides of Every Heart a Doorway
In Seanan McGuire’s brilliant (and now award-winning) short novel Every Heart a Doorway, teens who’d once escaped reality to various fairytale realms find themselves back in our world, attending a special boarding school to help them re-acclimate to “reality.” They’re all desperate to return to those places where they felt accepted for who and what they were, and one of … Read More
The Point of the End of the Tour
The End of the Tour is a film adapted from the memoir Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace, by David Lipsky. It begins with news of Wallace’s suicide* reaching Lipsky, who then digs out his audio tapes from the five days he spent with Wallace at the end of his author’s tour … Read More
Across the same river with The Idylls of the Queen
Alice Walker wrote The Same River Twice about the process of turning her novel The Color Purple into a movie. The title itself is a paraphrase of the philosopher Heraclitus, and is more fully translated as, “You cannot step twice into the same river, for other waters are continually flowing on.” In 2011, I wrote Dark Jenny, the third in my Eddie … Read More