When I was a teenager, my parents banned from me listening to KISS. So of course I listened to KISS every chance I got. Their rationale: someone with religious authority warned them that the band’s name stood for “Knights in Satan’s Service.” The fact that they were men who wore makeup didn’t help. And in the deep south of the … Read More
Music, identity, and the teenage heart
I just finished Whiskey Bottles and Brand-New Cars, a 2017 biography of Lynyrd Skynyrd by Mark Ribowski. I was 14 when the core of the band died in a plane crash on October 20, 1977, the real “day the music died” for my generation. I’m familiar with the broad strokes of the Skynyrd story, and even once saw the Rossington-Collins Band, one … Read More
Dark as a Dungeon: the music of the miners
Part of The Fairies of Sadieville takes place in 1915, and involves two specialized occupations: making silent movies, which I’ll cover elsewhere, and coal mining. Sadieville is a new coal boom town, and I was determined to get it right. I did a lot of book research on it, to get accurate technology and terminology, but to get the feel, I turned, appropriately, to … Read More
Why fairies?
One of the most basic questions I get about the Tufa series, which concludes in April with The Fairies of Sadieville, is also one of the hardest to quantifiably answer: Why fairies? It certainly wasn’t an obvious interest. I grew up in a tiny Southern town, surrounded by friends and family who had no time for matters of imagination. And even … Read More
“Sadieville” and The Fairies of Sadieville
I’ve written about the music of the Tufa novels many times, from many different perspectives. The songs quoted in the text tend to be classic public domain folk songs, or songs written by musicians who have given me permission to use them. I have on occasion written lyrics myself (most extensively in Wisp of a Thing), but I make no … Read More
The Same River Twice: Tender Mercies and Crazy Heart
Recently I finally caught Jeff Bridges’ Oscar-winning performance in Crazy Heart. And while he was certainly very good, I couldn’t shake the sense that I’d seen this movie before, when it starred Robert Duvall and was called Tender Mercies. Naturally, I’m not the first viewer to notice that. The similarities are striking. Even the protagonists’ names are similarly short, sharp, … Read More
Giants of West Tennessee: An Interview with Memphis’ own Southern Avenue
NOTE: This is the latest in an ongoing occasional series about notable figures from my home region. This one is unique because, instead of a nostalgic look back, it’s about something brand new. This interview needs two introductions to set up the context. Number one: when I was growing up, WHBQ-AM out of Memphis was the radio station, a Top 40 melting pot … Read More
Guest post: the Strangest Guitar Modifications Out There
When I spoke with music writer, guitar teacher and session guitarist Natalie Wilson about doing a guest blog, I asked her to write about the strangest guitar modifications she’d run across. What she came up with was amazing; it always pays to ask an expert. So please, if you like it, leave Natalie a note in the comments. ### If you … Read More
Favorite Story Song contest
Popular music has stopped telling us stories. The story song used to be a staple of pop, occasionally rock, certainly country. But since the advent of “singers” enslaved to Auto-Tune and “songwriting” done by marketing committee (not to mention the whole “bro-country” movement), the story song (along with other forms of good music) has vanished from the mainstream airwaves.* Yet … Read More
Some Thoughts from Down at the Crossroads
WARNING: Contains spoilers for the 1986 movie Crossroads (not the 2002 Britney Spears film). If you haven’t seen it, I wholeheartedly recommend it. I recently rewatched Walter Hill’s movie Crossroads, and was surprised by how much I had internalized its depiction of the relationship between music and magic, and how that had influenced my own Tufa novels. I first saw it … Read More