When first pondering the story that would become The Fairies of Sadieville, my initial idea was one of form. I’d just read Jan Patocki’s The Manuscript Found in Saragossa and seen the Polish film adaptation, The Saragossa Manuscript. Both novel and film are “nesting” or “frame” stories, in which a tale is told within another tale, which is told within another … Read More
Finding the rhythm of another time and place
While revising The Fairies of Sadieville (available in two weeks!), my editor pointed out that some dialogue, for a subplot set in prehistory, sounded a bit too “modern.” When I stepped back and looked at it objectively, I had to agree. I had these primitive people speaking with the cadences, and more importantly in the syntax, of modernity. It was deliberate, since as always, I don’t want … Read More
Dark as a Dungeon: the music of the miners
Part of The Fairies of Sadieville takes place in 1915, and involves two specialized occupations: making silent movies, which I’ll cover elsewhere, and coal mining. Sadieville is a new coal boom town, and I was determined to get it right. I did a lot of book research on it, to get accurate technology and terminology, but to get the feel, I turned, appropriately, to … Read More
Why fairies?
One of the most basic questions I get about the Tufa series, which concludes in April with The Fairies of Sadieville, is also one of the hardest to quantifiably answer: Why fairies? It certainly wasn’t an obvious interest. I grew up in a tiny Southern town, surrounded by friends and family who had no time for matters of imagination. And even … Read More
“Sadieville” and The Fairies of Sadieville
I’ve written about the music of the Tufa novels many times, from many different perspectives. The songs quoted in the text tend to be classic public domain folk songs, or songs written by musicians who have given me permission to use them. I have on occasion written lyrics myself (most extensively in Wisp of a Thing), but I make no … Read More
On Fairy Life
This is the second post adapted from a presentation I did at the 2017 Pagan Unity Festival. You can read the first post here. As I said in the prior post, if you’re here reading this, you probably already know that my Tufa novels are about a race of exiled fairy folk in the mountains of east Tennessee. The title of … Read More
What are fairies?
This is adapted from a presentation I gave at the 2017 Pagan Unity Festival. If you’re here reading this, you probably already know that my Tufa novels are about a race of exiled fairy folk in the mountains of east Tennessee. The title of the sixth and final book in the series, The Fairies of Sadieville, explicitly references this connection. And although they’re … Read More
On Themes and the Tufa, Part 1
When I wrote the first Tufa novel, The Hum and the Shiver, I had no plans for a series. I wrote it on spec, without a contract, just prior to the release of my first novel, The Sword-Edged Blonde. In that first Tufa book, I had a very particular, self-contained story in mind: circumstances force Bronwyn Hyatt to decide how … Read More
An announcement about The Fairies of Sadieville
As I’ve said before, every book in a series is a balancing act between giving readers something new, and giving them what they already love. We’ve all read series that over time seemed unable to do the former and settled for repeating the latter. It’s common to say, “That series should’ve ended back at <insert series book title of your … Read More
Reader Question: Writing from a Woman’s POV
Reader Jane Payne (a name I just may borrow for a character) asked on my Facebook author page: “Writing POV for female characters. You do well! Is it challenging?” First, thank you for the compliment. I appreciate that a lot. Is it challenging? I can’t deny that it was at first, mainly because I expected it to be. We’re taught … Read More